Myth, in Lyacos, does not present itself as an organic whole upon which his writing is articulated: Z213: EXIT is not a new reading of the myth of Odysseus or Moses. Lyacos does not construct a new myth either. What he does is to turn the myth inwards, towards its deep structure, emphasizing its basic constituents without the intervention of a constructed plot. The words of the trilogy are the fragments of the echo of a primordial explosion, which, if you fit them together, compose the innermost name of tragedy.