This monumental work of experimental poetry comprises three books published in various editions over a period of thirty years and is organized around “a cluster of concepts including the scapegoat, the quest, the return of the dead, redemption, physical suffering, [and] mental illness.” In the tradition of prominent postmodernist authors such as William Gass, Thomas Pynchon, and Samuel Beckett, Lyacos has artfully employed language to vividly accentuate the anguish his protagonists experience throughout the series.